The most iconic image of midcentury American architecture is arguably Julius Shulman’s photo of the glass-walled Case Study No. 22 house in Los Angeles, which appears to float weightlessly, almost magically above the city. The appeal of the image—which Time magazine called “the most successful real estate image ever taken” (and which was in fact staged with models in cocktail attire)—lies in the way that the silhouetted inhabitants appear to live in another plane, absent any extraneous furnishings or walls, yet safely enclosed and bathed in the home’s light. The luxury the house evokes is neither gaudy nor accessible; it is desirable because of what and who isn’t there—walls, clutter, crowds, or street. Shulman’s photo and the architecture it depicts have in years since helped stoke a mimetic desire for a weightless, minimalist, perfectly curated life, a desire that now drives an entire industry of midcentury real estate, furniture, and associated lifestyle goods.